Juanita Medea + Esch Picture

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This artistic rendition of the myth of the Golden, painted by Nona Hyyiten in 2008, depicts the three central characters to the legend: Jason, and his assumed wife-to-be, the daughter of the king of Corinth, reflecting in a glass held by Medea. Hyyiten intentionally added a yellow coloring to the painting to create a self-ascribed "True Crime feel". From Hyyiten's perspective, Medea is "one of the strongest and most fearful women in Greek mythology." The painting attempts to convey the situation that led her to unleashing that strength. 
This pencil drawing by Shen Long (2004) is actually a representation of Medea, with a snake sticking out of her mouth. I chose this image because it demonstrates the transformed person Esch is by the end of the novel–she identifies with a new part of Medea, the part that insults and brings destruction. Esch's Medea moment happens when she finally lashes out at Manny for using her, for rejecting her, and her words (or actions) are no longer sweet, like the venom of a snake.

Comments

  1. AnonymousAugust 30, 2017 at 11:14 AM

    These are both pictures that are highly metaphorical. The painting of Medea and Jason is symbolizing their relationship and works well with the assigned topic. The picture representation of Medea is interesting. I assume that the snake iguana thing is the new reformed Esch, when she is stronger.

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